My scenographic approach views the Constitution as a living and active field, rather than a static historical artifact. The visual identity and the exhibition’s logo are based on a metaphor: the Constitution leaves a tangible imprint on the everyday life of the citizen, shaping relationships, boundaries and rights over time.

Collaboration with researchers and art historians formed a core part of my process, opening a creative dialogue in which historical knowledge and scholarly precision were translated into spatial experience. Within the commemorative and research-driven framework of the 50th anniversary of the Constitution, scenography functioned as a connective tool between the archive and the present.

Through artworks, visual representations, archival material and interactive media, with a focus on individual and social rights, the exhibition seeks to communicate the fundamental qualities of a Constitution that is resilient at its institutional core while remaining alive and continually relevant. The experience was designed to be accessible without being reductive, encouraging critical engagement and positioning the visitor as an active participant.

The scenography unfolds across three sections. In the first, the desk used for the signing of the 1975 Constitution is placed as a point of reference and memory, while a kinetic motion graphic reinterprets historical documents through a contemporary design lens.

In the second section, individual and social rights are articulated through a panel where key concepts emerge graphically, entering into dialogue with the sculpture by Yiannis Gaïtis.

In the third section, a work dedicated to the freedom of democracy is reflected frontally in a mirror, transforming the constitutional article into a personal and collective reflection.

The exhibition is conceived as a spatial narrative, where history, research and design coexist, inviting visitors to encounter the Constitution not only as an institution, but as a living framework embedded in everyday experience.

With sincere appreciation to Eleni Mouzouraki, Maria Kamilaki and their team.